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Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner
2002
Lintermann, Bernd. Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner In Tanz Theorie Text, edited by Gabriele Klein and Christa Zipprich, 523-532. Münster, Hamburg, London: Lit Verlag, 2002.
A Recombinant History Apparatus presents Terminal Time
2002
Vanouse, Paul and Michael Mateas and Steffi Domike. A Recombinant History Apparatus presents Terminal Time Narrative Intelligence, John Benjamins Press (2002): 155-173.
UpStage: An Online Tool for Real-Time Storytelling
2011
Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).
Real time Computer Graphics from Body Motion
1983
Fisher, Scott S. and A. Marion. Real time Computer Graphics from Body Motion In Optics in Entertainment, edited by C. OutwaterSPIE 391, Cambridge, MA: 1983.
Ars Electronica 2003: Code -The Language of our Time
2003
Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.
A-Volve: A Real-time Interactive Environment
1994
Sommerer, Christa and Laurent Mignonneau. A-Volve: A Real-time Interactive Environment In Siggraph´94 Visual Proceedings, edited by Siggraph, 172-173. New York: ACM, 1994.
TechnoSphere: "Real" Time "Artificial" Life
2001
Prophet, Jane. TechnoSphere: "Real" Time "Artificial" Life Leonardo 34, no. 4 (August 2001): 309-312.
VR Webcams: Time Artifacts as Positive Features
2002
Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.
MERCE CUNNINGHAM: COMMON TIME
2017
Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.
Time Machines in the Gallery: An Archeological Approach in Media Art
1996
Huhtamo, Erkki. Time Machines in the Gallery: An Archeological Approach in Media Art In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas McLeod, 232-268. Cambridge, MA: MIT Press, 1996.
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