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»Suitable for Framework« 2005 - 2005

Event: »Suitable for Framework«Institution: TotalKunstComment:
¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original odel Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as creative strategy. 2015

Escribano Belmar, Beatriz. ¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original o del Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as
Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville) 2021

Santorineos Manthos. Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville). Vol.1. : Fournos Multivalent Communication Network, 2021.
Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville) 2021

Santorineos Manthos. Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville). Vol.1. : Fournos Multivalent Communication Network, 2021.
‘All American’ plays with tradition at Salt Lake Art Center 2009

news, Deseret. ‘All American’ plays with tradition at Salt Lake Art Center Deseret News (July 2009).
‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ 2014

Nils Jean. ‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ Prova 2, Royal College of Art Humanities Research Forum Journal , no. 2 (2014): 22-25.
‘Digital Debris of Internet Art (an Allegorical Resistance to The Epistemology of Search)’ Humanities Research Forum, R.C.A. 2014 - 2014

Event: ‘Digital Debris of Internet Art (an Allegorical Resistance to The Epistemology of Search)’ Humanities Research Forum, R.C.A.Institution: Royal College of ArtComment:
‘EVIL WEB BUSINESSES, ROMANCE SCAMS AND PHONE FRAUD. 3 ARTISTIC CASE STUDIES DECONSTRUCTING SCAMMERS ONLINE IDENTITIES 2017

Kronman, Linda and Andreas Zingerle. ‘EVIL WEB BUSINESSES, ROMANCE SCAMS AND PHONE FRAUD. 3 ARTISTIC CASE STUDIES DECONSTRUCTING SCAMMERS ONLINE IDENTITIES (2017).
‘Totes Haus Ur or the Dislocation of Intimate Space’ 2010

Nils Jean. ‘Totes Haus Ur or the Dislocation of Intimate Space’ Mute Magazine (October 2010).
“ 2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan 2020 - 2020

Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition Artist ｜Pey-Chwen Lin Curator ｜Ming Turner Place｜Gallery K – Gallery L, Tainan Art Museum Building 2 Organizer｜ Tainan Art Museum Special Thanks to B.B.ART, Yiiisu Co., Ltd., Cmie

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