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1,4..19
2013
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2014
Animal experimentation is a common practice for people. We have used the standard metaphor of a mouse in a labyrinth to study the mechanics of how reality of shaped. The mouse is rigidly influenced by its own unrealized reality. We observe how it
1+1
2001
1+1Artist: Sawad BrooksComment:
1 minute or Abominable Abdominal Wrinkles
1998
Abominable Abdominal Wrinkles reffers to a Rrose Sélavy´s text: "Abominables fourrures abdominales".It belongs to a series of Writings produced by Duchamp based in the dadaist manner. The video (1 minute) plays with compactation of information
090909 UpStage Festival
2009
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2009
The 090909 UpStage Festival took place on 9 September 2009 (with bits on the 8th or the 10th depending on where you were in the world). 14 performances by artists across 9 time zones were presented over the 20 hours of the festival, with audiences
070707 UpStage Festival
2007
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2007
The first UpStage Festival was part of the launch of UpStage 2 and took place on July 7 2007. Thirteen performances were presented in UpStage by artists from around the world, performed online for audiences around the world and simultaneously
05 March/10:43 pm
2004
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2004
05 March/10:43 pm consists of a small, suburban model house on a table, linked to a computer. Looking into one of the windows the viewer discovers a small live projection, floating in the room, showing a person who is collapsed on a chair, with a
010101: Art in Technological Times
2001
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2001
http://010101.sfmoma.org/start.html
0.7 OPEN ART
2011
Event: 0.7 OPEN ARTInstitution: Le Fresnoy, Studio National des Arts ContemporainsComment:
0 oder1? Computerkünstlerische Spiele mit dem binären Zufall
2011
Reisinger, Gunther. 0 oder1? Computerkünstlerische Spiele mit dem binären Zufall In SpielKunstGlück. Die Wette als Leitlinie der Entscheidung, edited by Johann Konrad Eberlein, 181-192. Wien/Berlin: Lit-Verlag, 2011.
/source/ (postfactual)
2017
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2017
Timo Kahlen's interactive work of net art /source/ (Postfactual), 2017 invites the viewer to search for reliable sources, for valid ‘facts’, for trusted nodes of information on the internet. A seemingly void, monochrome white surface is all it
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