Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.
1
…
(more)
855
856
857
858
(current)
859
(more)
879
sort by relevancy (up)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Why Do We Want Our Machines to Seem Alive?
1995
Penny, Simon. Why Do We Want Our Machines to Seem Alive? Scientific American, 150th anniversary issue (September 1995).
wi-fi sm
2003
-
2003
... and our pains.
Like
the unconscious, it...
Wie man sieht...Kunst mit Fotografie und andere mediale EskapadenDie Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000
2000
Zielinski, Siegfried and Kerstin Bergmann, ed. Wie man sieht...Kunst mit Fotografie und andere mediale Eskapaden Die Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000.
Wiener Aktionismus und Aktionstheater in München
2015
-
2015
2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
Wild
1994
-
1994
Wild is an interactive virtual sculpture. The structure of the sculpture depends on the movement of objects within the local environment of the work. A video camera pointed at the viewers of the work and the local environment sends digitised
Wild Panoramic Navigator
2010
... between the real-
time,
real-world situation...
Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures
1992
Stone, Allucquére Rosanne. Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures In Cyberspace: First Steps, edited by Michael BenediktCambridge: The MIT Press, 1992.
Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ...
2019
Event: Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ...Institution: International Symposium on Chinese Cinema in the 21st
William Kentridge
South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
William Kentridge
2009
-
2009
South African artist William Kentridge has garnered international fame and admiration for performance, sculpture, drawings, and work in many other media, but his most indelible contribution is in animated film. Kentridge makes large-scale charcoal
1
…
(more)
855
856
857
858
(current)
859
(more)
879