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  • d12 2007 The exhibition devised by artistic director Roger M. Buergel and curator Ruth Noack featuring work by 109 artists from 43 countries was visited by 754,301 paying guests. There were also 4,390 professionals and 15,537 journalists from 52
  • Thiel, Tamiko and Noah Wardrip-Fruin. Where Stones Can Speak: Dramatic Encounters in Interactive 3D Virtual Reality In Third Person: Authoring and Exploring Vast Narratives, edited by Pat HarriganCambridge, MA: MIT-Press, 2009.
  • .. "So instead of writing about meaning production, I empower the exploration of meta-meaning processes that arise via self-directed engagement" ..
  • Eliza Redux, Edited by Noah Wardrip-Fruin and Pat Harrigan. and . SECOND PERSON. : M.I.T. Press, 2006.
  • Crave - video
    I participated in the design and implementation of the live digital projections in the theater play “Crave”, using the software Moldeo. The first season of the play was at El Lavapiés Theater, Buenos Aires, between May 20 and December 9, 2006, and
  • Crave -
    Event: CraveInstitution: NOAVESTRUZ Espacio de CulturaComment:
  • AL GRANO: Framing Worlds deploys a staging of fact and ction where various registers of images, texts and objects, coexist. These digitally produced 2D and 3D pieces have as common element the manipulation of languages, histories and codes (the
  • Imagining Macondo -
    Imagining Macondo is a public artwork that commemorates Nobel Prize-winning author Gabriel Garci?a Ma?rquez. It was first showcased at the Bogota International Book Fair in April 2015 to an audience of more than 300,000 over the course of two weeks.
  • Pabellon Macondo -
    The International Book Fair of Bogota, one of the largest book fairs in the world, celebrates the role of literature in Latin American culture and its importance to the people of Colombia. The Colombian author Gabriel García Márquez, who died in
  • COMBATscience -
    Multimedia environment with performative inserts 'COMBATscience' takes the life stories of the German scientist and Nobel Prize winner Friedrich Haber (1868–1934) and his wife, the chemist Clara Immerwahr (1870–1915), as motifs for the development