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Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville)
2021
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2022
Event: Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville)Institution: Fournos Multivalent Communication Network , Hellenic Ministry of CultureComment:
¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original odel Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as creative strategy.
2015
Escribano Belmar, Beatriz. ¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original o del Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as...
¿Por dónde van los tiros en el arte último?
2004
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2004
Event: ¿Por dónde van los tiros en el arte último?Institution: Centro de Arte Juan IsmaelComment:
¿Hacia dónde va el arte de nuestros días?
1996
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1996
Event: ¿Hacia dónde va el arte de nuestros días?Institution: Laesfera AzulComment:
»Suitable for Framework«
2005
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2005
Event: »Suitable for Framework«Institution: TotalKunstComment:
»Heraustreten ins Tageslicht«
2008
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2008
Event: »Heraustreten ins Tageslicht«Institution: Galerie HammerComment:
«ŽEN D’АRТ. THE GENDER HISTORY OF ART IN THE POST-SOVIET SPACE: 1989—2009»
2010
Nataliya Kamenetskaya and Oksana Sarkisyan. «ŽEN D’АRТ. THE GENDER HISTORY OF ART IN THE POST-SOVIET SPACE: 1989—2009». Moscow, Russia: Moscow Museum of Modern Art, 2010.
« Une voyante m’a dit », Keur Thiosane – Artfactories,
2012
Marguerin Mathieu. « Une voyante m’a dit », Keur Thiosane – Artfactories,. Dakar, Senegal: 10th Biennial of Contemporary Art, 2012.
« TimeSharing », performance
2013
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2013
Event: « TimeSharing », performanceInstitution: Louvre LensComment:
« The Shaping of New Visions: Photography, Film, Photobook from the MOMA collection »
2012
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2012
Event: « The Shaping of New Visions: Photography, Film, Photobook from the MOMA collection »Institution: MoMA, NYComment:
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