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We Will Open the Panorama-kan: The Beginning of the ‘Panorama Craze’ in Meiji Japan
2010
Kusahara, Machinko. We Will Open the Panorama-kan: The Beginning of the ‘Panorama Craze’ in Meiji Japan In The Panorama in the Old World and the New, edited by Gabriele KollerBüro Wilhelm, Amberg: 2010.
Storia del Panorama: La visione totale nella pittura del XIX secolo
1984
Bordini, Silvia. Storia del Panorama: La visione totale nella pittura del XIX secolo. Collana di architettura; 26, Roma: Officina Ed., 1984.
span 3
2008
-
2009
isabelle jenniches span 3, 2008-2009 Digital LightJet print, 73.7 x 304.8 cm Acknowledgements: Jeroen Doorenweerd & Rijksgebouwendienst, Douanekantoor Maasvlakte Many miles away from the actual location, yet connected via the Internet,
Sottovoce
2002
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2002
The title 'sottovoce' is a musical term derived from the Italian "in a barely audible voice, a whisper" and alludes to the whispered and haunting nature of the Sottovoce's voice-over. This menacing evocation of events leading up to a
Poverty Island with Video Skies
1997
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1997
"Poverty Island with video Skies" is the beginning of an exploration of the integration of video images into a virtual environment. This integration will allow me to combine a long-standing interest in the evocative similarities of the forms and
Place - Urbanity
2001
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2001
video
Melbourne is a notably multicultural city because of the size and diversity of its many immigrant communities. Melbourne also has the reputation of being the comedy capital of Australia. PLACE URBANITY presents fifteen fully panoramic video
Place - A User's Manual
1995
video
This work extends the tradition of panorama painting, photography and cinematography in the vector of simulation and virtual reality. The viewer can interactively rotate a projected image around a circular screen and so explore a virtual
Peristrephic Pleasures, or the Origins of the Moving Panorama
2004
Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.
Passage Sets - One Pulls Pivots at the Tip of the Tongue
1995
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1995
video
Passage Sets / One Pulls Pivots at the Tip of the Tongue (1995) is an interactive installation that functions as an elaborate navigable audio/visual poem. Seaman worked with Chris Ziegler as the programmer for this work. Three projections comprise
Panoscopic journey between Québec and New York via the St-Laurent and Richelieu Rivers, Lake Champlain and the Hudson River
2001
... Bay to the mouth of the Mohawk River. This large scale moving
panorama,
the first of it's kind, launched a very popular...
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