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莫健偉博士

Dear Friends, I am new to the ADA, and glad to meet / chat with you via this platform. I am working in the academic field as a researcher of digital culture, and heritage topics and cultural policies.
“TRANSACTIONAL POETRY” NUIT BLANCHE PARIS 2019

In a world where human transactions mostly apply to human values, where metaphors reside in the syntactic articulation of these values, we may find very peculiar layers of truth that make sense in an unexpected way. Transactional Poetry is
“ 2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan 2020 - 2020

... retained the icons and logos from the 3D computer software,...
‘Intervention’ catalogue essay 2013

Nils Jean. ‘Intervention’ catalogue essay Disruption Biennial RCA Research Exhibition book (January 2013).
‘Instructions’ catalogue essay for Fieldwork 2 2012

Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).
‘Digital Debris of Internet Art (an Allegorical Resistance to The Epistemology of Search)’ Humanities Research Forum, R.C.A. 2014 - 2014

Event: ‘Digital Debris of Internet Art (an Allegorical Resistance to The Epistemology of Search)’ Humanities Research Forum, R.C.A.Institution: Royal College of ArtComment:
‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ 2014

Nils Jean. ‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ Prova 2, Royal College of Art Humanities Research Forum Journal , no. 2 (2014): 22-25.
[V]ote-Auction 2000 - 2000

Voteauction* was a Website which offered US citizens to sell their presidential vote to the highest bidder during the Presidential Elections 2000, Al Gore vs. G.W. Bush. Several US States (Missouri, Wisconsin, Chicago, Arizona, Nevada,
[the clearing] 1994 - 1994

The Clearing is an interactive installation artwork that focuses on the language of American print media's representation of the Bosnian crisis during the 1993-1994 period based on material culled from the archives of the Oakland Data Center.
[in time time] 2008 - 2008

[in time time] is an installation involving large digital prints and two new media works: a split-screen video titled [8-bits], and a context aware, interactive installation titled [ping-pong-flow]. The pieces are bound together by their related

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