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[In code] 2012 video

The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
Vidéo, la mémoire au poing 1981

...Duguet, Anne-Marie. Vidéo, la mémoire au poing. Paris: Hachette litterature generale, 1981.
Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV 2013

...TRAMUS, MARIE-HELENE and Diana Domingues. Une coopération universitaire sur l?art numérique entre le...
Tutor 2009 - 2009

... Spain more>> Marie Lechner “Olga Kisseleva : TUTOR " / french /... support of DISONANCIAS program and LEIA Scientific Foundation, Spain ...
Trigger 2002 - 2002

..."Part soft-core pornography, part political allegory and part Modernist play with media," Jordan...
Traumliege 1987 - 1987

... people coded, the codes interchangeable. Porn is the dream of de-sensualized sexuality, the...
Transgenesis - Round Table with Christa Sommerer, Louis Bec, Jens Hauser, Louis-Marie Houdebine, Roger Malina, and Franco Torriani at the Artistic Mobility Days in Prague organized by CIANT, The Academy of Sciences of the Czech Republic, Prague, 2006 - 2006

... Sommerer, Louis Bec, Jens Hauser, Louis-Marie Houdebine, Roger Malina, and Franco Torriani...
TOOL BOX 2008

...Viale Marie-Laure and Rivet Jacques and Mollet-Viéville Ghislain. TOOL BOX. Nantes, France:...
the puppet(s) 2005 video

Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment.
The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology 2022

... technologies and humans, edited by Marie-Hélène TRAMUS and Rémy SOHIER and Sophie...

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