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  • World Skin
    ...Event: World SkinInstitution: KTH, StockholmComment:
  • William Kentridge -
    ... der 1999 auch im Project Room des MoMA in New York in einer Personale zu sehen war, ihre neu renovierten Räume im 1. Stock. (source: Neue Galerie Graz)
  • ... They Are / Wenn Dinge nicht sind, was sie sind In Ars Electronica 2005 : HYBRID - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz Verlag, 2005.
  • ... In Ars Electronica 2001: Takeover. Wer macht die Kunst von morgen? / Who´s doing the art of tomorrow?, edited by Gerfried Stocker and Christine Schöpf, 365-367. Wien, New York: Springer Verlag, 2001.
  • ... Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.
  • This work is a tribute to the Japanese artist Katsushika Hokusai, whose woodblock print "The Great Wave off Kanagawa" (c. 1829-32) is not only one of the most-recognized pieces of Japanese art, but is also appreciated by turbulence researchers as an
  • Uprising
    Stocker, Gerfried. Uprising In Genesis, edited by O. K. Center for Contemporary Art, 41-43. Linz: 1999.
  • ... Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.
  • ...Huhtamo, Erkki. Twenty Fragmentary Thoughts on Video Installation In Interface: Nordic Video Art, edited by Pål Wrange, 18-23. Stockholm: Stiftelsen Nordisk Videokonst, 1990.
  • ...For the first time in its history, the transmediale festival had a motto: STOCKTAKING VISION. The festival took stock of where television and all the new media have gotten us so far, and what they have given us.