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Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville) 2021

... Network, 2021.
Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville) 2021

... Network, 2021.
Yiannis Melanitis

Yiannis Melanitis is a conceptual interdisciplinary artist working in the realms of body, performance, digital media and bioart. He study Painting, Sculpture and holds a Masters degree in Digital Arts from Athens School of Fine Arts. He is lecturer
Where are you from?_Stories 2002 - 2009 video

Where are you from?_Stories, 2002-2009, is a net-art piece supported by a one-year research grant from the Canada Council for the Arts. The videos for the net-art piece were selected from approximately 200 15-minute videos captured in special events
What are you doing, Richmond?https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801 2018

... [19.02.2021].
What are you doing, Richmond?https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801 2018

... [19.02.2021].
Web-Mindscape and REFLEXION – In Sync/Out of Sync – : Biofeedback and Physical Computing in Interactive New Media Art 2021

... EAI (2021).
VRML based extended galleries - reconsidering the concept of a multi user environment. Deliverable 1.1 VRML based extended galleries - reconsidering the concept of a multi user environmentElectronic Arenas fpr Culture, Performance, Art & Entertainment. Es 1999

... Arenas fpr Culture,...
Voz Alta 2008 - 2008

"Voz Alta" (Loud Voice) is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco, which took place on October 2nd 1968. In the piece, participants speak freely into a megaphone placed on the "Plaza de las Tres
Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico 2020

Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico In Seven experiences of listening and protest in artistic practices, edited by Ana

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