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  • [the clearing] -
    ... as exemplified in the sci-fiction movies of the last decade. In the process of search, the viewer will be guided to various levels and details of the image, encountering texts that will comment on an international crisis of the mid 1990's: The...
  • ... nerves, even if we never realise. What else could we see, and do? When playing games, we usually can go back to the latest saved level or just start over again. In real life – we only have rarely the chance to do so and if – we might lack time and energy. With...
  • ... also the artworld itself, acoustics often take a subordinate role to the visuals. However, the eye can only attain a high level of awareness, or focus, to a narrow fraction of the space to which its attention is being attracted. The ear, on the other...
  • ... to metallic butterflies unifies the national flags in a poignant way. Taking this material transformation to another level, the presence of the viewer’s own reflection across the surface of the metallic butterflies signifies our individual responses...
  • ... to metallic butterflies unifies the national flags in a poignant way. Taking this material transformation to another level, the presence of the viewer’s own reflection across the surface of the metallic butterflies signifies our individual responses...
  • ... image is adapted to the viewfinder. The picture neutralizes the content. Media bring everything onto one and the same level. Physical memory-paper, for example, is the door that remains open to a certain kind of forgetting. We interpose the lens...
  • Windscreen -
    ... wind-driven physical interface, 2001. Any physical scale habitable by the human body is also "inhabited" by massive levels of sensory data, equivalent to perhaps millions of analog-to-digital inputs a second. My response to learning about "physical...
  • William Kentridge -
    ... to the exploitation of the nation's other natural resource: its people. Videos and related works on the mezzanine level address Kentridge's accomplishments in the performing arts, in particular the gestation of Faustus in Africa (1995) and Ubu and...
  • ... a printed vocabulary of “keywords” extracted from the interviews. These three elements offer the visitors differentiated levels of access to the project. The interactive work is projected in large format within a cubicle created in the space of the gallery....
  • ...As global water levels and temperatures rise, plants and animals are mutating to adapt. Strange new creatures are arising at the interstices between plant and animal, questioning and transgressing the boundaries of what is considered to be reactive flora or active...