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  • “TRANSACTIONAL POETRY” NUIT BLANCHE PARIS
    In a world where human transactions mostly apply to human values, where metaphors reside in the syntactic articulation of these values, we may find very peculiar layers of truth that make sense in an unexpected way. Transactional Poetry is
  • “Metamorphoses…”, in "Hybrid Space"
    ...Ippolitov Arcady. “Metamorphoses…”, in "Hybrid Space". St Petersburg, Russia: The Petersburg foundation for culture and the arts “PRO ARTE...
  • ‘All American’ plays with tradition at Salt Lake Art Center
    news, Deseret. ‘All American’ plays with tradition at Salt Lake Art Center Deseret News (July 2009).
  • Александра Дементьева. Работы 2000 - 2007. / Alexandra Dementieva. Works 2000 - 2007. Catalogue
    Faina Balakhovskaya and Antonio Geusa and Luk Lambrecht. Александра Дементьева. Работы 2000 - 2007. / Alexandra Dementieva. Works 2000 - 2007. Catalogue. Moscow, Russia: XL gallery, 2008.
  • ¿Hacia dónde va el arte de nuestros días? -
    Event: ¿Hacia dónde va el arte de nuestros días?Institution: Laesfera AzulComment:
  • « Portraits, landscapes and machnies » -
    Event: « Portraits, landscapes and machnies »Institution: Ludwig MuseumComment:
  • [the clearing] -
    The Clearing is an interactive installation artwork that focuses on the language of American print media's representation of the Bosnian crisis during the 1993-1994 period based on material culled from the archives of the Oakland Data Center.
  • [in time time] -
    [in time time] is an installation involving large digital prints and two new media works: a split-screen video titled [8-bits], and a context aware, interactive installation titled [ping-pong-flow]. The pieces are bound together by their related
  • [In code] video
    The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
  • [In code] video
    The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
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