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  • ‘The Light through the Cloud: Questions of Network Distribution’ given at 'Thinking Network Politics: Methods, Epistemology, Process'
    Event: ‘The Light through the Cloud: Questions of Network Distribution’ given at 'Thinking Network Politics: Methods, Epistemology, Process'Institution: Cultures of digital economy institute (CoDE)Comment:
  • [ in time time ] -
    [in-time-time] ? Date made: 2008 Materials: interactive new media installation, responsive screen-based work, video and digital prints. Other information: Solo exhibition held at the Tarble Arts Center / Eastern Illinois University, Charleston, USA
  • [ epidemiC]
    [epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
  • Zoe Beloff
    Beloff is a filmmaker who doesn´t just make films. Taken as a whole, Beloff´s recent work constitutes a sort of social archeology of cinema. She is particularly interested in excavating the social roots of cinema in the 19th century and reminding us
  • Zero Noon
    Rafael Lozano-Hemmer "Zero Noon", 2013 computer, processing software, square HD display, electronic, metal enclosure 17 x 17 x 4" edition of 12 "Zero Noon" is a digital clock that shows the current time according to eccentric metrics: it uses
  • Zentrum für Bildwissenschaften
  • World, Membrane and the Dismembered Body -
    In an echoless room a computer and various measuring devices are used to amplify the sound of a body"s internal organs. In the silence, the visitor first hears the sounds inside his or her body, and then the amplified versions from audio speakers. A
  • World Skin
    Event: World SkinInstitution: ISEA2000, Chapelle de l'Ecole Nationale Supérieure des Beaux Arts de ParisComment:
  • William Kentridge: Tide Table -
    Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
  • William Kentridge
    South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
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