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  • ...As a researcher, I am particularly interested in the role of the expanded narrative (as incorporating an active created or controlled space, cross-disciplinary collaboration and/or multi-sensory engagement, and an active audience encouraged to interact, participate, or...
  • ... practice. His work resists exoticization and does not explain itself; it simply exists in its own language, reclaiming space, silence, and ancestral presence. By embedding Filipino cultural narratives, indigenous symbols, and postcolonial critique into...
  • ... technologies of various profiles) and (re)habilitation (interventions based on creating idiosyncratic interactive personal space, from the same bespoke sensors, where gesture control of content motivates participation via creative expression and playful...
  • ... force. By challenging conventional definitions of sound, she seeks to push the boundaries of sonic expression, creating spaces where audiences can encounter moments of transcendence and new forms of understanding. Through this fusion of sensory stimuli...
  • ... and socially reflective works using a variety of hybrid media. Wylde is a co-founder of PreNeo Press, a conceptual space creating projects, publications, and opportunities which celebrate the Art Life. Wylde’s interests include: language,...
  • Monika Fleischmann and Wolfgang Strauss, renowned German art collective and professors, have made significant contributions to the realm of digital media art and interactive installations. Pioneers in the field, they have not only created immersive
  • kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of
  • Cadence (2022) by Kayla Parker is an animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain.
  • This essay by former research assistant Isabella Iska at the Center for Image Science, is a tribute to the artist, scholar, professor and permanent driven inventor Charles Csuri (1922-2022), who began creating digital artworks in the 1960s. Today
  • In this essay, media researcher and developer Tiago Martins provides insight into the development process of the mixed-reality archive AR[t]chive during a large research project. The HoloLens based application enables users to explore archived