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  • IJWBAA
    ... immersive, interactive encounters. His 2024 exhibition, Kizumeizukaka, presented by The...
  • Andreas Zingerle
    ... PhD from the University of Art and Design Linz (Austria) researching topics such as Internet... Arts Festival, File, WRO Biennial. 2020-2024 he has been director of mur.at – a server farm...
  • Featured Artist kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of
  • Featured Artwork "Cadence" by Kayla Parker (2022)
    Cadence (2022) by Kayla Parker is an animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain.
  • Guest Essay Tiago Martins
    In this essay, media researcher and developer Tiago Martins provides insight into the development process of the mixed-reality archive AR[t]chive during a large research project. The HoloLens based application enables users to explore archived
  • Featured Artist Lin Pey-Chwen
    Lin Pey Chwen’s oeuvre extends from sculpture to interactive digital installations. Over the course of more than twenty years, her work encompasses a unique approach to media art and technology exploring a critical understanding of contemporary
  • ADA_KONDITION_PLURIEL_FEATURE_270224.pdf
    ... at the Johannes Kepler University in Linz, in which sound has the capacityto bend and... Digital Art). Last accessed February 27,...
  • Featured Artist Sommerer and Mignonneau
    ... media artists and researchers based in Linz/Austria have been active as an artistic...
  • UpStage's 20th Birthday -
    ...On 9 January 2024 we celebrate 20 years of UpStage! UpStage has playfully persisted for two decades of...
  • Beyond Narcissus: Seeing the self in the other
    ... Seeing the self in the other 13:2 (2024): 217-222.
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