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Phototropy
1995
-
1995
video
... the visitor will do with the lamps beam, the creatures will follow, in order to get a maximum of light nutrition.
htt
p://www.iamas.ac.jp/~christa/WORKS/FRAMES/FrameSet.html
Trans Plant
1995
-
1996
video
... this virtual jungle: he will enter deeper and deeper into the growth, and appear as a 3D person in the virtual space.
htt
p://www.iamas.ac.jp/~christa/WORKS/FRAMES/FrameSet.html
Intro Act
1995
-
1997
video
... "Intro Act" represents a universe of unexplored abstract organic forms that react and interact with human beings.
htt
p://www.iamas.ac.jp/~christa/WORKS/FRAMES/FrameSet.html
Life Spacies II
1999
-
1999
video
... over the world interact with the system; by simply typing and sending an email message to the "Life SpaciesII" web site (
htt
p://www.ntticc.co.jp/~lifespacies), one can create one's own artificial creature. We developed a special text-to-form coding...
Traces
1998
-
1999
... to the exclusion of bodily senses. The body is reduced to a single Cartesian point, the body is checked at the door.
htt
p://www.ace.uci.edu/penny/works/traces/Tracescode.html
James Stuart
... music is "magnificently crafted" (Pittsburgh Post-Gazette) and recently appeared on a new CD by the Omega Ensemble. (source:
htt
p://www.bhmusic.com/)
Vectorial Elevation, Relational Architecture 4
1999
... was made for every participant with comments, stats and virtual and real images of their design from three perspectives - see
htt
p://www.alzado.net. The project was also localized for the capital city of the Basque Country and for the Fête des Lumières in...
Repositioning Fear
1997
-
1997
video
... the chat involved 30 artists and theorists from 17 countries and the proceedings can be seen at the project web site
htt
p://rhizome.org/artbase/2398/fear/.
Fugitive
1995
-
1997
... type interaction. The fothcominging project (Traces) uses multiple cameras and builds real-time volumetric models.
htt
p://www.ace.uci.edu/penny/works/fugitive/fugitive.html
Sympathetic Sentience
1995
-
1996
... of the full complexity of the piece, it is necessary to spend several minutes with the piece in an uninterrupted state.
htt
p://www.ace.uci.edu/penny/works/symp_sent/sympathetic_sentience.html
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