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ADA_ArtistInterview_VictorAcevedo.pdf
... interactivity and technologies. I have
live
d through the epochaltransformations that...
ADA_Feature_Fleischmann_Strauss.pdf
... provided by the camera-tracking and the
live
projection of the images, together with...
10_2020_Seaman_Interview.pdf
... an interactive video work I do all of the
shoot
ing, often searching for theright kinds of... I composed tapes and sang
live
. I didn’t like
live
performing so I...
ADA_ArtistInterview_SuzanneAnker.pdf
... of scientific laboratories and into our
live
s. The first draft of the decipherment of...
ADA_Feature_Diana_Domingues.pdf
... of the body, and our sensitivity can
live
in a new cognitive space as anextension of...
PEY-CHWEN_INTERVIEW_160822.pdf
... contemporary people because fallen humans
live
in a Godless culture,worshiping a fallen...
ADA_Feature_Sommerer_Mignonneau_author_Zamora.pdf
... for sound generation, I also used it for
live
improvisations with electronic andphysical...
ADA_Feature_Eduardo_Kac_Zamora_Mealing_2022.pdf
... work is an “artwork for non-humans”, a
live
, bi-directional, telematic, sonic installation...
ADA_ArtistInterview_ElkeReinhuber.pdf
... choices most of us have, which shape our
live
s and define who we are. Then, the different...
ADA_KONDITION_PLURIEL_FEATURE_270224.pdf
... at theintersection of installation and
live
performance, where spectators are...
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