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  • ... myapproaches was to revisit pictorial subjects that I had rendered in analog media and then re-create themin the digital space. My image called Ectoplasmic Kitchen is an example of this. The original oil paintingwas from 1984 and later I produced a...
  • ... of new modes of perception and the interplay of body andspace in the context of art and technology as a thinking space.Wolfgang Strauss and Monika Fleischmann at the 2017 Edition F Women Inventors'Award (photo credits: Mark Feigman)...
  • ... interested in art on-line at the time, or just CD-Roms and later DVDs, as thepredominant form. I wanted a fully immersive space where the scale of the projected images enabled a special formof experiential content. You felt as if you were inside the work...
  • ... DYI biology. Public labs were opened for communityuse, not connected to traditional institutions, but as alternative spaces. In these labs, suchas Genspace, in New York, courses and workshops in genetics, plant tissue culturing and thedevelopment...
  • ... electronic devices and theirtransformative effect on our memory. Combined with various materials and objects placed inthe space and juxtaposed with the electronic images, photographs, projections and sounds,the installations brought unique immersive...
  • ... to a spontaneoussynchronization that creates a connection between the performer and the audience within the immersive sound space, namely, that both the heartbeats of the performer and of the audience areinfluenced by each other.The second project...
  • ... then output to audio data which are spatialized in real-time by large speakersplaced in each corner of the exhibition space. Ryan McGee developed the engineeringtranslation from pixel values to audio sounds and spatializing the output to...
  • ... cones, scallops, and chrysalis-shapedgeometric nature. I placed them within nature such as parks, trees, grass, or indoor spaces tocreate ridiculous synthetic scenery. Paradoxically, this series attracted strong attention fromviewers. The viewers did...
  • ... principles. Randomness in itself has not a particularform, it is only through managing it and filtering it in time and space that it can help forthe elaboration of a form, whether it is for a sound, a shape, a picture or an event.Natural evolution...
  • ...ansion of thepresent practical and conceptual boundaries of artmaking to incorporatelife invention” (…) 8Kac’s recent works of Space Art reflect the human migration into space by examining, “anew global space culture “presently emerging in the twenty-first century...