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... us this was coming. As predicted often, along the way; we nowlive in a mediated cybernetic hybrid-reality as evidenced at entry level with the ‘indispensable’ need forpersonal computers and mobile devices in IRL (in real life); and at the emergent end of the...

... and mixedreality as well as on collaborative works that often involve the active engagement of viewers on multiplesensory levels; thus enabling exploration of new modes of perception and the interplay of body andspace in the context of art and technology...

... of thought processes; the accessing oftexts, images, music, videos, and various digital environments; and the use of high level programs that enable andempower my creative thought. I see computers as open systems…if I can imagine a work then almost...

... in life phenomena are influencing daily narratives. The technologicalapparatus gains disruptive structures at every level and in every type of interactivitywhen it adapts the technologies used with other qualities that change the ways of lifewhen...

... to how the metadata is positioned in relation to others, thatcan lead to bias.Bias in image synthesis is extensive at the level of training sets. Training sets consist ofmillions of images that are tagged by text. These training sets are then used to...

... However, the virtual swarms of thousands of flies in the collective's “fly works”address on multiple levels the theme of decay and transience in relation to our society,nature, and the artwork itself.As Sommerer & Mignnonneau stated:...

... public in the urban context contributes to the content of the piece. But let's say that thework on perception is at a different level, which is less “graphic”, but probably moresensorial, and this generates a different type of aesthetic than what is...