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  • ... art awards have also added the category of new media art. Many traditionalmuseums and festivals have started to put lots of budgets to make large interactive projects,for example, the projects from the Palace Museum, Science Museum, Lantern...
  • ... one starts also to become more aware, critical and possibly even morecreative.Previously, I always worked on a low budget with friends and supporters. Now, working onprojects with external funding feels in many ways more challenging. My role...
  • ... (including a description of the technologies involved) and links and external suppliers who have offered endorsements. Budget. A budget for the installation process has been suggested at 300,000 euros stated in email correspondence. However it is not...
  • Sensity -
    ... using the data collected. 3. Sensity can be shown / exhibited as an installation on the sphere, but this depends on your budget. 4. Sensity can also installed permanently or for a longer period in rural or urban space, depending on your budget. 5. I am...
  • ... the "mud people" in Fando y Lis, the 1968 debut of the post-surrealistic film maker Alejandro Jodorowsky and a seemingly low budget bricolage of one of Otto Mühl's "material actions" and L'Age d'or with a touch of Easy Rider, which, without being boring,...
  • ... the training of the artists and others living in the communities that would be the facilitators in their own communities. Budget issues reduced the intended ten EC-Sites to the final five locations. The Original Electronic Cafe Network 1984 included: The...
  • HyperKult 14 -
    ...»HyperKult - Computer as Medium« takes place as an annual (non-profit and no-budget) symposium since 1990. Hyper(media)Kult(ur) was an at this time an upcoming field of research across the borderline of technical and cultural disciplines. HyperKult has broadened over...
  • ... A work must always be judged against its own claim of being something new - regardless of genre, production quality and budget. The decisive factor is a film's position vis-à-vis social reality, cultural differences and aesthetic innovation....
  • ... lips. Courses rise and fall. Hard currencies collapse. Cash flows. Money rains. Cash trickles away in the guise of budget deficits. Yet is difficult to dam and clearly more fleeting than solid. The monetary transactions carried out by global...
  • ...is year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and television in mind....