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  • ADA_ArtistInterview_VictorAcevedo.pdf
    ... visual loops; the live mix and the interaction with the musician/s isfacilitated in the moment by an interplay of the software’s audio active intelligence with the manuallydriven and intuitive mix choices made on the fly. Again, using the Jazz...
  • ADA_Feature_Fleischmann_Strauss.pdf
    ... tools are much more accessible. Artists can focus on the creativeaspects rather than the technical issues, as advanced software and hardware simplify complextasks. On the other hand, there is always a need to experiment with new tools, such as AI...
  • ADA_Feature_Diana_Domingues.pdf
    ... the embodied cognition. However, as the code itself is not art, but is used toconstitute an artistic project, the software development of code and calculation andlanguage operations take place with a view of interactions through aesthetic and...
  • ADA_ArtistInterview_ClaudiaRoblesAngel.pdf
    ... the human body?My awareness about it started when I began my studies in Germany. Before that, I used to work withdiverse software packages for video and sound, but only when I started code programming, I cameto the realization, that I wasn't using my...
  • ADA_LEGRADY_FEATURE_2023.pdf
    ... and is broadly recognized as one of the early digitalartists that researched the semiotic and cultural implications of software producedimages. Hiswork encompasses a wide range of digital experiments from digital graphics to databased analysis,not to...
  • PEY-CHWEN_INTERVIEW_160822.pdf
    ... Clone to notonly learn human’s expressions but also human body motion in real-time. A new 3D modelwill be rebuilt in Unity software. My lab artists and I are working with a company to developa facial and body motion capture system. This work can even invite...
  • OSMOSE - video
    ... Tree, Leaf, Cloud, Pond, Subterranean Earth, and Abyss. There is also a substratum, Code, which contains much of the actual software used to create the work, and a superstratum, Text, a space consisting of quotes from the artist and excerpts of relevant...
  • conFIGURING the Cave -
    ... domains. Movement of the puppets body and limbs dynamically modulate various parameters in the image and sound generating software, while particular postures of the puppet cause specific visual events to occur. Most significantly it is the action of...
  • Self-Portrait with Eiffel Tower
    ... with the static recording of a large souvenir reproduction of the Eiffel Tower. The work uses the same image processing software originally developed for Video Narcissus (Turin, 1987).
  • rePLACEd in EVE
    ... by the projection onto the cylindrical surface is compensated by a predistortion of the generated imagery by means of software that acts on the object coordinates of the virtual scene and effectively emulates an idealized cylindrical projection...
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