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  • (W)orld Currency -
    "This artwork illustrates a global currency through the creative formulation of an equation and a trading algorithm for the currency exchange market. The visionary creation of algorithmic trading combines art with the material that governs
  • 1000 Platitudes -
    1000 PLATITUDES consists of large photomontages and one video documentary, which is shown on a plasma screen. Words commonly used to describe the generic globalized city; --each letter of the alphabet was projected on a different building using the
  • Notes for Sleepers Guts Seaman/Forsythe Exchange over the pacific (weave of the airline trajectory) 26 / 09 / 95 (part 2) just sitting here in sydney - 9 / 10 / 95 (part 3) Part 3 a attraction / architecture / association / algorithm / arresting /
  • 01 / 09 / 2016 - 10 / 09 / 2016, Beijing Minsheng Art Museum 20 / 09 / 2016 - 08 / 10 / 2016, Dunhuang for The Silk Road Dunhuang International Culture Expo 18 / 10 / 2016 - 29 / 10 / 2016, Henan Art Museum Presented by the Ministry of Culture of
  • Manifesting randomness ​ Alexandra Ehrlich-Speiser creates manifestations of the random. Using arbitrary decisions and consciously brought about glitches in machines and digital systems she creates poetic experiences that recontextualize the
  • He is a multidisciplinary installation and media spanish artist. Research Fellow at the center for Advanced visual studies at MIT from 1977-1984. His art works have been exhibited widely in the Museum of Modern Art, the Gwangju biennale, the Venice
  • "Shades of Absence: Governing Bodies" was placed into the New Museum, NY, as an uninvited intervention in honor of the NEA residency during the exhibit "NYC 1993: Experimental Jet Set, Trash and No Star"
  • arctic conquistadors -
    Arctic Conquistadors examines the tensions and conflicts characterizing the Arctic today. The Arctic space is being re-mapped / re-drawn / re-appropriated by the traditional stakeholders and newcomers, be it private or state-owned corporations,
  • Arguendo
    Arguendo re-enacts the 1991 Supreme Court Case Barnes v. Glen Theatre, initiated by a group of go-go dancers against an Indiana law banning public nudity. Electronically mediated with references to relevant court cases and the First Amendment, the
  • Giving the first impression of a simple commodity sculpture "AutoGene" lures the viewer into a false sense of security which is then at the flick of a switch rapidly dispelled. The seemingly mundane umbrellas are transformed into magical animated