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  • Event: "Aesthetics, Politics and Economics of Attention. The New Role of the Artist in Public Space at the Digital Era", "Transformation, Innovation, and Leap Development"Institution: BIT’s 1st Annual Global Congress of Knowledge Economy 2014
  • "META.morfosis" -
    META.morfosis Museum and Art in the Digital Era Duration: January 27th – June 2006 Curated by: António Cerveira Pinto Author(s): Various Print Press The META.morfosis project gathered the works of up to 26 outstanding artists whose
  • "Stair Procession" -
    This site-specific installation was curated by Carolyn Christov-Bakargiev as part of P.S.1’s Vertical Painting series initiated by Alanna Heiss in 1997. Created for P.S.1’s northwest stairwell, Stair Procession is a white-on-black drawing similar to
  • William Kentridge: WEIGHING…and WANTING is an installation of charcoal, pastel and gouache drawings and a film transferred to laser disk which is based on the drawings. Kentridge's homeland, South Africa, figures largely in his artwork, which
  • Ryszard W. Kluszczyński, 2011: "Monika Fleischmann and Wolfgang Strauss undertook their joint, creative actions in combined fields of art and science in late 1980s. (...) We can say that the art of Fleischmann and Strauss has developed in parallel
  • (in)human sciences -
    ... for police regulation or social control? Echoing the phrase “Human Sciences”, the “(In)human...
  • The 10th Birthday of UpStage was celebrated on 9-10 January 2014 with three performances, a symposium on remote collaboration, a planning meeting and the launch of UpStage v3. The event was supported by CityLink (who provided free wifi), the venue
  • Interactive Net-Based Installation 10'000 moving cities deals with the world of information, user-generated content and news about places, cultures, people and movements. Visitors can select any city or place, using a digital interface. About the
  • ... be able to make their ownaesthetic choices, as well as have a meta-level awareness...
  • 15 Minutes of Biometric Fame not only highlights paradoxes associated with celebrity recognition within the entertainment industry and instant fame received through various Web 2.0 applications, but it playfully discredits the reliability of