Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.
1
(current)
2
3
4
5
(more)
266
sort by relevancy (up)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
"Eduardo Kac : Interview", published in the book Face/off – Body Fantasies
2004
Eikmeyer, Robert.. "Eduardo Kac : Interview", published in the book Face/off – Body Fantasies. 1 th ed.Frankfurt: Keller, Christoph, 2004.
"Eve Clone Series" - Lin Pey-Chwen Solo Exhibition
2011
-
2011
Event: "Eve Clone Series" - Lin Pey-Chwen Solo ExhibitionInstitution: Gallery Grand SiecleComment:
"Perhaps" Online Reading
1999
-
2000
Event: "Perhaps" Online ReadingInstitution: the School of the Art Institute of Chicago (SAIC)Comment:
"Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;
2008
Jamieson, Helen Varley. "Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;. New Zealand: Clouds, 2008.
"Stair Procession"
2000
-
2000
This site-specific installation was curated by Carolyn Christov-Bakargiev as part of P.S.1’s Vertical Painting series initiated by Alanna Heiss in 1997. Created for P.S.1’s northwest stairwell, Stair Procession is a white-on-black drawing similar to
"Touch me"
1995
The work "Touch me" of Alba D'Urbano from 1995 is an interactive digital video installation where a monitor with touch screen, a video camera and a computer are mounted on a platform. The monitor with the touch screen is visible for the visitors at
"UpStage, cyberformance et assistance intermédiale" - chapter inThéâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;
2014
Jamieson, Helen Varley. "UpStage, cyberformance et assistance intermédiale" - chapter in Théâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;. Ars du spectacle - Images et sons, Lille, France: Presses
"We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.
2017
Jamieson, Helen Varley. "We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.. Advances in Art and Visual Studies, New York: Routledge, 2017.
"We have a situation! Cyberformance and civic engagement in post-democracy" - chapter in "Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement", ed. Ryan Shin; ISBN 9781522516651
2016
Jamieson, Helen Varley. "We have a situation! Cyberformance and civic engagement in post-democracy" - chapter in "Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement", ed. Ryan Shin; ISBN 9781522516651. USA: IGI Global, 2016.
"We Have a Situation, Coventry!" - chapter in Virtual Worlds: Concepts, Applications and Future Directions, eds. Liz Falconer and Mari Carmen Gil Ortega
2018
Helen Varley Jamieson and Katherine Wimpenny. "We Have a Situation, Coventry!" - chapter in Virtual Worlds: Concepts, Applications and Future Directions, eds. Liz Falconer and Mari Carmen Gil Ortega. Hauppauge, NY, USA: Nova Publishers, 2018.
1
(current)
2
3
4
5
(more)
266