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"Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7; 2008

...Jamieson, Helen Varley. "Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;. New Zealand: Clouds, 2008.
"UpStage, cyberformance et assistance intermédiale" - chapter inThéâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7; 2014

...Jamieson, Helen Varley. "UpStage, cyberformance et assistance intermédiale" - chapter in Théâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;. Ars du spectacle - Images et sons, Lille, France: Presses universitaires du...
"We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio. 2017

...Jamieson, Helen Varley. "We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.. Advances in Art and Visual Studies, New York: Routledge, 2017.
"We have a situation! Cyberformance and civic engagement in post-democracy" - chapter in "Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement", ed. Ryan Shin; ISBN 9781522516651 2016

...Jamieson, Helen Varley. "We have a situation! Cyberformance and civic engagement in post-democracy" - chapter in "Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement", ed. Ryan Shin; ISBN 9781522516651. USA: IGI Global, 2016.
"We Have a Situation, Coventry!" - chapter in Virtual Worlds: Concepts, Applications and Future Directions, eds. Liz Falconer and Mari Carmen Gil Ortega 2018

...Helen Varley Jamieson and Katherine Wimpenny. "We Have a Situation, Coventry!" - chapter in Virtual Worlds: Concepts, Applications and Future Directions, eds. Liz Falconer and Mari Carmen Gil Ortega. Hauppauge, NY, USA: Nova Publishers, 2018.
ADA_ArtistInterview_SuzanneAnker.pdf

... revealing whether the specimen is a bat, a fish or a petunia. While a VisitingArtist at the University of North Carolina at Chapel Hill in 1993, I attended sixty lectures ongenetics as a way to picture this hereditary molecule. The result was an...
American Institute of Graphic Arts 1914
An Introduction to Cybernetics 1956

...Ashby, William Ross. An Introduction to Cybernetics. London: Chapman and Hall Ltd., 1956.
Anonymous Real-Time 2017 - 2017 video

... Real-time was included in the 30-minute EVM program that was streamed on August 26, 2020 as part of the 6-hour online Chapters Gathering event produced by ACM SIGGRAPH Los Angeles, To view it there go to: https://www.youtube.com/watch?v=ggAvV... In...
Art as Digital Exploration 2018

... Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.

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