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" Emotion Machines and Database Imagination ",in « Communication-identification »
1999
Manovich Lev. " Emotion Machines and Database Imagination ", in « Communication-identification ». Paris, France: ,, 1999.
" The possibility of communication",in « Communication-identification »
1998
Manovich Lev. " The possibility of communication", in « Communication-identification ». Paris, France: ,, 1998.
"La Provence au Pernambouc"
2006
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2006
En 2005, Aix-en-Provence a accueilli l'année du Brésil, où s'est développé de juin à novembre le projet "Pernambuco! art contemporain - culture populaire ". Les expositions et divers événements ont permis de porter un regard sur cet État du Nordeste
"Metadating" the Image
2003
Manovich, Lev and Arjen Mulder. "Metadating" the Image In Making Art of Databases, edited by Joke BrouwerRotterdam, NL: V2_ Publishers, 2003.
"Not there" Manifest AR - in collaboration with Venice Biennial
2011
Event: "Not there" Manifest AR - in collaboration with Venice BiennialInstitution: Kasa GalleryComment:
"Reinventing Image-Making" exhibition
2022
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2022
Exhibiting artists: - Art Ex Machina (KAWANO Hroi shi, Georg NEES, Ken KNOWLTON, Manfred MOHR, Frieder NAKE, Manuel BARBADILLO) - KIMOTO Keiko - FUJIHATA Masaki - Tamás WALICZKY Curated by: TADA Kaori (Tokyo Photographic Art Museum) Curatorial
(collective) Mansoux / Valk
Aymeric Mansoux has taken part in many artistic experiments based on the internet and the emergence of networks, and considers any form of data to be a new clay that can be used to develop autonomous artistic processes. His most recent projects
(collective) Monika Fleischmann | Wolfgang Strauss
Ryszard W. Kluszczyński, 2011: "Monika Fleischmann and Wolfgang Strauss undertook their joint, creative actions in combined fields of art and science in late 1980s. (...) We can say that the art of Fleischmann and Strauss has developed in parallel
(W)orld Currency
2014
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2014
"This artwork illustrates a global currency through the creative formulation of an equation and a trading algorithm for the currency exchange market. The visionary creation of algorithmic trading combines art with the material that governs
//**Code_UP
2004
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2004
//**Code_me_UP investigates the role of the code in the meaning construction and the forms of visibility mediated by mobile communication devices. In the exhibition space, the audience can capture pictures with cell phones with camera and send
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