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(H)adas. Mujeres que crean, programan, prosumen, teclean
2013
Zafra, Remedios. (H)adas. Mujeres que crean, programan, prosumen, teclean. Madrid, Spain: Página de Espuma,
2013
.
(Un)walking At The Fair: About Mobile Visualities at the Paris Universal Exposition of 1900
2013
... Culture 12, no. 1 (
2013
): 61-88.
/source/ (postfactual)
2017
-
2017
Timo Kahlen's interactive work of net art /source/ (Postfactual), 2017 invites the viewer to search for reliable sources, for valid ‘facts’, for trusted nodes of information on the internet. A seemingly void, monochrome white surface is all it
17th International Video Festival VIDEOMEDEJA -
2013
2013
-
2013
Event: 17th International Video Festival VIDEOMEDEJA -
2013
Institution: VideomadejaComment:
1st Shanghai Design Exhibition
2013
-
2014
2013
1st Shanghai Design Exhibition, (30th .Nobember
2013
til March 30th 2014) Shanghai Contemporary Art Museum, - Shanghai, China
2013
“The Tetramatyka Audio Visual Art Festival”, Lviv National Art Museum, Ukraine
2013
-
2013
2013
“The Tetramatyka Audio Visual Art Festival”, Lviv National Art Museum, Ukraine
2013
“WRO15th Media Art Biennale”, Wroclaw, Poland
2013
-
2013
2013
“WRO15th Media Art Biennale”, Wroclaw, Poland
@ ICP Triennial
2013
2013
Rafael Lozano-Hemmer's installtion @ ICP Triennial
2013
storefront installation 1133 Ave of the Americas (near 43rd Street) New York, NY 10036
A 442 Hz.
2013
-
2022
video
Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
ADA_ArtistInterview_VictorAcevedo.pdf
ADA Artist Interview with Victor AcevedoArchive of Digital Art, November 2021Full text and interview by Alejandro Quiñones on ADA:https://www.digitalartarchive.at/features/featured-artists/featured-artist-victor-acevedo.htmlWhat are your current
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