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  • ... by computers, available on the Lovely Music compact disc Music as a Second Lanugage, and the interactive installation Alien Voices. A recent series of installation works, The Edison Effect, uses optics and computers to make new sounds by scanning ancient...
  • ... with TEMPLE, visitors hear white noise (not loud : just as a kind of "heartbeat") from radio receivers as well as people's voices. The public is encouraged to interact with the installation. For three minutes they can call a special, designated phone...
  • ... She hit the rewind button by accident, and found herself listening to the ambient sounds produced by her walking and her voice. This recording formed the basis of Cardiff's first "audio walk," entitled Forest Walk, which has now become her signature....
  • ... in Munich, was Nominee for Monaco Dance Forum Award, Monaco 2006 and won various Design Awards (I.D. Magazine 2000/2001 and „New Voices New Visions“, New York 1996). He had several teaching position in the US and Germany and was Associate Artist in the EU‘s Dance...
  • ... of international awards for new media art including prizes at Ars Electronica (Austria), Images du Futur (Canada), New Voices, New Visions (USA), Alias/Wavefront (USA) and Nagoya Biennial (Japan). The monograph, Impossible Nature: the art of Jon...
  • ... racial ambiguity. A very early example of sculpture that integrates pre-recorded sound, a tape recorder with the artist's voice was added to the installation in 1968. At that time it was activated by a foot sensor as visitors approached the sculpture. In...
  • ... at Museum of Photography, Tokyo together with Volker Morawe awards: CYNETart_04award (GER) 2004 for His Master's Voice International Media Art Award (GER) 2003 Main price for PainStation. 6th CGArts Media Arts Festival Tokyo (JP) 2002 ...
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  • ... Institute of Technology, and Bicycle Built for Two Thousand with Daniel Massey, an online project which records voices across the globe singing together. Aaron Koblin also created Flight Patterns in the Network section of the exhibition
  • ... that controlled the visual movements. Functioning like an audio mixer, this modulated the relative volume of the various voices with respect to the changing spatial positions taken by the viewer. Here again an intrinsic conceptual structure was...