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  • Steve Sherrell
    ... also explored how the computer can co-exist with continuous tone art as a source, a planning tool, a collage material generator and... being 640 X 480 dpi. You could load floppy discs , the hard drive was 64 mb with 1 mb ram which he increased to 2. Sitting in his...
  • Sara Diamond
    ... investigator on the Centre for Information Visualization/Data Driven Design, an OCAD U/York University major initiative and sits on...
  • Simon Penny
    ...Simon Penny is an Australian practitioner in the fields of Digital Cultural Practices, Embodied Interaction and Interactive Art. His practice... in Karlsruhe, Germany in 1997. Traces ( a 3D machine vision driven CAVE immersive interactive) was presented at Ars Electronica in...
  • Numeric Milling
    ... x 22 x 8.5 in.) Csuri's wooden sculpture Numeric Milling is one of the few early computer sculptures created with a... of the few early computer sculptures created with a computer-driven milling machine. Artist's Comments This work made use of the...
  • Mary Flanagan
    ... her commitment to both theory and practice, and her ongoing pioneering contributions to the field of digital art. Her research... engines, playing video games, or saving data to the hard drive, Flanagan reworks these activities to blur the line between the...
  • Herwig Weiser
    ... information and data systems, and the raw hardware that drives these technologies, draws on aesthetic, engineering and...
  • Lisa Cianci (Blackaeonium)
    ... digital formats, with her current focus on real-time, code-driven animations, digital video, and installations that use fabric and...
  • Ethan Bach
    ... challenging preconceived notions about society, the world and oneself. As a Transgender artists who grew up in the heart of the Riot...
  • Karsten Schmidt
    ... (V&A, 2008) and a generative design identity for the onedotzero Adventures in Motion Festival 2009. As part of the Decode...
  • Environmental Media Studies -
    ... rotating turntable, using a translucent cylindrical screen so one can see on both sides. The result is a very natural looking... and spatiality is maintained. Dome Projections (1978) was driven by the urge to see if an "inside out" panorama would "read" to...
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