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  • ... Tom Sachs, Marcos Novak, El Anatsui, Carsten Höller, Teddy Cruz, Ball-Nogue, Driessens & Verstappen, Erwin Wurm, Greg Lynn, Dinisio Gonzàles, Antony Gormley, Hussein Chalayan, Ryan McGinnes, Julie Mehretu, Julius Popp, Matthew Ritchie, Esther Stocker,...
  • Lynn Hershman Leeson (b. in 1941 in Cleveland, Ohio) is an award-winning American artist and filmmaker. She was Professor Emeritus at the University of California, Davis, and an A.D. White Professor-at-Large at Cornell University. She is Chair of the Film Department at...
  • ...A predecessor of Lynn Hershman Leeson's influential “Roberta Breitmore” series, “Self Portrait as Another Person” features a wax cast of the artist's face that was made in 1966. Characteristic of similar pieces created by the artist in this period, the face is framed...
  • Lorna - video
    ... option of directing her life into several possible plots and endings. Music by Terry Allen. (L. Hershman) http://www.lynnhershman.com/investigations/voyeurism/lorna/lorna.html
  • Deep Contact -
    ... intimacy to technology. Viewers can have adventures with the guide and have options of changing sex or personality. www.lynnhershman.com/.../deep_contact/deep_contact.html
  • ...Hershman, Lynn. Die Fantasie ausser Kontrolle Kunstforum 104 (September - October 1989): 232-239.
  • Room of One`s Own -
    ROOM OF ONE'S OWN (1993) forces the viewers eyes to become immersed into the actual space of a tiny articulated interactive electronic peep show. A stainless steel box placed at eye level with movable periscopic viewing device bridges the
  • America`s Finest -
    In 1830, both the camera and the colt revolver were invented. more than a half century later, in 1888 Etienne Jules Maray perfected a gun that substituted film for bullets. There has long been a historical relationship between the camera and the
  • ...Hershman, Lynn. Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork Leonardo 26, no. 5 (1993): 431-436.
  • ...Hershman, Lynn. Room of One´s Own - Slightly Behind The Scenes In Iterations: the New Image, edited by Timothy Druckery, 150-156. Cambridge, London: MIT Press, 1994.