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  • Lillian F. Schwartz
    ... have been recognized, specifically in Italian Renaissance painting and frescoe. Her work with colleagues to construct 3-dimensional models of the Refectory at Santa Maria Grazie to study the perspective construction of Leonardo’s Last Supper and, more...
  • Christina Kubisch
    ... an artistic development which is often described as the "synthesis of arts" - the discovery of acoustic space and the dimension of time in the visual arts on the one hand, and a new relationship between material and form in music on the other....
  • Craig W. Reynolds
    ... others. He holds a MA in Computer Science form MIT in the late 70's and pioneer in contributions to the development of three dimensional computer animation for motion picture production. He writes and is reviewer of SIGGRAPH, TOG, SCA, Eurographics, GECCO,...
  • Riebe Markus
    ... thinking. Markus Riebe’s art reveals an extended level of perception in each picture. Thanks to a lenticular disc, a three-dimensional space opens up within it, but it keeps changing, depending on the angle from which it is viewed.
  • Janet Cardiff
    ... Cardiff has incorporated visual elements into these works, including sculpture, still images and film, adding further dimension to the pieces. The majority of these works are collaborative projects with her husband, George Bures Miller. Following the...
  • Lawrence Paul Yuxweluptun
    ... Inherent Rights, Vision Rights was the first VR piece to be exhibited by the National Gallery of Canada integrating three dimensional sound and visuals. This project pioneers new techniques for the exhibition of virtual reality (VR) pieces by blending...
  • Oliver Grau
    ... Science. Recently: Museum and Archive on the Move (2017), Digital Art under the Looking Glas (2019) and Retracing Political Dimensions (2021) He conceived new Digital Humanities tools for image science and directed the project "Immersive Art" of the German...
  • Emergences of Continuous Forms -
    ... to inflate these balloons and so control the shape of the projection surface. Smoke was also used to create another three-dimensional continuum for the projected image as it passed from one screen surface to another. This installation extended out into the...
  • Corpocinema -
    ... Corpocinema dematerialised the opaque flat projection surface of traditional cinema by creating instead a transparent three-dimensional volume within which the cinematic image could be reconstituted in an equivocal and immediate way. The specific physical...
  • MovieMovie - video
    ... injection of smoke. The intention of this work was to transform the conventional flat cinema projection screen into a three dimensional kinetic and architetonic space of visualisation. The multiple projection surfaces allowed the images to materialise in...
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