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  • Paul Thomas
    ...nd sonifying the electrons superposition in the development of quantum computing. Thomas’s pervious projects investigated silver, the mirror and quantum theories of light and parallel universes in the work ‘Multiverse’. Thomas’s nanoart works ‘Nanoessence’ explored the...
  • Victor Acevedo
    ... ‘void’. It is a domain which is totally empty yet simultaneously full and brimming over with the potentiality of being. This mirrors the behavior of sub-atomic particles or wave phenomena in relation to an underlying field as described in Western physics. With...
  • Daniel Rozin
    ... the ability to change and respond to the presence of a viewer. Although computers are often used, they are seldom visible. Mirrors and the mediated perception of the self are central themes in his work. Rozin is the recipient of numerous awards, and his...
  • Lawrence Malstaf
    ... coincidence, order and chaos. In 2000 he makes a series of sensorial rooms for individual visitors (Nemo Observatorium, Mirror, Pericope/Horizon Machine). Later he creates larger mobile environments dealing with space and orientation often using the...
  • Uršula Berlot
    ... in the process of aesthetic discernment, and questions related to the intricate relationship between model and copy; and mirroring and duplication in the process of reproduction (Minimal Difference and Modern Mimesis, 2016; Duchamp and Mimesis, 2011; The...
  • Laser Installation and Performances
    ... beam as shaped planes and cones of light in a full 360-degree space around the projector. Scanning and rotation of the laser mirrors was controlled by a specially made analog synthesizer. Materials such as smoke, water vapour and material particles were used...
  • Kinetic Light and Mirror Sculpture video
    ... to be dynamically moved over Genesis's entire stage as well as out into the auditorium. It was constituted by six large mirrors which were all pivoted on two axes respectively and could be rotated in all directions using computer-controlled servomotors....
  • Lorna - video
    ... Notes, 1981 While video was like a reflection that did not talk back, interactive works were like a trick, two way mirror that required dialogues. I found this possibility deeply subversive! Unlike ROBERTA, who existed in the world, LORNA the...
  • Julius von Bismarck
    ... is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on techniques from visual arts, film, social and...
  • Sym-Ulations -
    ... use their own face to create humorous impossible faces. User Interaction: The user holds a "Setup" button and sees a mirror image of his face on a video monitor. A dotted line runs down the center of the monitor indicating the symmetry point. When...
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