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  • ... Governors for the School of the Art Institute of Chicago; and Life Trustee Emeritus, The Art Institute of Chicago. She is Secretary of the Board of Eyebeam; Board Member, American Friends Musée d’Orsay et de L'Orangerie; and Board Member, Fred Jones...
  • Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • ... Canada, USA and Austria (Linz), where they were among the prize-distinguished (honorary mention) in the Interaktive Kunst section of the Prix Ars Electronica in 1991. In Italy they were among the prize-winners in the Digital Art section of the Prix...
  • ... at the ZKM (Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, 1994), the Ars Electronica prize (interactive art section, Linz, Austria, 1992 and 1995) and first prize at the Berlin Video/Film Festival (multimedia art section, 1995). His works may...
  • ... of the Hong Kong Skyline video displays. EDUCATION, TEACHING, AND LECTURES To finance his studies, he became in 1978, a secondary school teacher in fine arts and literature. Benayoun graduated in Fine Arts (Pantheon-Sorbonne University) in the early...
  • ... in New Media Art Education (forthcoming), published by Intellect Press. He is the editor of Inter/Actions/ Inter/Sections: Art Education in a Digital Visual Culture (2011), published by NAEA Press, and is currently the Senior Editor of The Journal...
  • ... manager at the website VIDA Art and Artificial Life from Fundación Telefónica. He is currently the editor of the Media Art section at art.es magazine, editor and writer at the blogs Art Matters and Design Matters from the UOC. He also regularly writes texts...
  • ... View it here and get involved with the Recode project. Karsten Schmidt also created Social Collider in the Network section of the exhibition postspectacular.com toxi.co.uk
  • ... interest in time become focused on digital production and its re-interpretive language, but also, it has left a wider cross section in my interests, bringing them closer to different cultural and social aspects of the present, of our contemporariness. The...
  • ...I am an Australian Artist and Transdisciplinary Integration Expert Working Across Academia, Cultural and Private Sectors. Focussed on Augmentation Aesthetics, Bio-Digital Entanglement & Interactivity, Food Futures & Sustainability. I currently lecture for the...