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  • Andres Burbano
    Andres Burbano is currently Associate Professor in the Department of Design at Universidad de los...
  • Andres Colubri
    Andrés Colubri is a researcher who is developing new methodologies to visualize and model complex biological information. He also looks to new uses of computer graphics as a medium for communication and interaction. Andrés originally studied
  • Artistic Dynamic Association
    ... direkten Bezug auf die Gegebenheiten des Ortes sowohl historisch als auch real topographisch...
  • Home Site Home
    Andres Burbano. Home Site Home LatinArt.com (NOVEMBER 2001).
  • Quiasma -
    A relational narrative map of the space allows us to model a space of data that is there as a network in the subsoil to be visually exposed by whoever interacts with the DVD. An open model for ideas, for the crossings of information, for the
  • Hipercubo/ok : arte, ciencia y tecnología en contextos próximos
    Andres Burbano and Hernando Barragán, ed. Hipercubo/ok : arte, ciencia y tecnología en contextos...
  • ISEA 2004: 12th International Symposium of Electronic Art
    Andres Burbano. ISEA 2004: 12th International Symposium of Electronic Art LatinArt.com (AUGUST 2004).
  • Narciso in Real Time - video
    This was an improvisation performance with digital projections and live video, with script written by Esteban Ulrich. The software Moldeo was used to generate the real-time visuals, and I contributed with some of the programming. It took place at
  • The Piano and the Stairs - video
    I made this video back in 2005 for the S3 Project (Sights and Sounds of Science), organized by the Materials Research Center of the University of Chicago. I combined some video shot inside the old building of the James Frank Institute, with
  • Open(ing) Source -
    To open the source code is one of the most significant processes in our contemporary technological landscape -the main reference is the free software culture or so called open source culture-. Opening the code means to share and to make something
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