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  • During his month-long residency at Townhouse Gallery, Cairo, Warren Neidich made a series of graphic, abstract musical scores, called graphic scores, that used images instead of notes, based upon found newspaper clippings and bits of text. This
  • BA in Art History and MA in Arts and Communication, is carrying out his artistic activity by continuously crossing the thin line between intangible and tangible, focusing on the idea of non digital identity, the erosion of an overloaded information
  • Them and Us -
    PDF of Brochure: https://www.esbaluard.org/wp-content/uploads/Brochure-Eng.pdf
  • Performance by JODI. Short presentations and panel discussion with Annet Dekker, Gabriella Giannachi, and Vivian van Saaze - See more at: http://www.stedelijk.nl/en/calendar/forum/79432#sthash.s37LWTwy.dpuf
  • p-Soup -
    "p-Soup", a multiuser piece, uses algorithms to generate graphical events on screen whenever a visitor to the piece clicks within the art-work. There are nine graphical "flavors" that the visitor can choose from, but there are endless possibilities
  • World Without End -
    World Without End Virtual Reality, Commission, Manarat al Saadiyat 2017-18 Overview For Manarat al Saadiyat cultural center program, "Ramadan Arcade", artworks were commissioned that addressed Emirates culture during the holiday season. For this
  • Ramadan Arcade -
    Was part of inaugural programme highlighting traditional culture in an art contect. Planed for 2 weeks; extended for 3 months.
  • Short excerpt from the 2003 appropriation piece "Last Words," created by pioneering Chinese video artist Zhang Peili and showcased here by Saamlung, one of his collaborating spaces.
  • Scenography for Virtual TV Sudio at Media Lab HBK Saar
  • Fleischmann, Monika and Wolfgang Strauss. The Body as Interface and Representation In Tight Rope, Saar: 1995.