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How do you translate a text that is not a text? How do you perform a score that is not a score?
2013
video
During his month-long residency at Townhouse Gallery, Cairo, Warren Neidich made a series of graphic, abstract musical scores, called graphic scores, that used images instead of notes, based upon found newspaper clippings and bits of text. This
Solimán López
BA in Art History and MA in Arts and Communication, is carrying out his artistic activity by continuously crossing the thin line between intangible and tangible, focusing on the idea of non digital identity, the erosion of an overloaded information
Them and Us
2018
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2019
PDF of Brochure: https://www.esbaluard.org/wp-content/uploads/Brochure-Eng.pdf
Festival Horizons numériques / Abbaye de l’Escaladieu - Bonnemazon (France)
2013
Event: Festival Horizons numériques / Abbaye de l’Escaladieu - Bonnemazon (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
Festival Horizons numériques / Abbaye de l’Escaladieu - Bonnemazon (France)
2013
Event: Festival Horizons numériques / Abbaye de l’Escaladieu - Bonnemazon (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
Festival Horizons numériques / Abbaye de l’Escaladieu - Bonnemazon (France)
2013
Event: Festival Horizons numériques / Abbaye de l’Escaladieu - Bonnemazon (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
Spectropia
1999
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2002
A work in progress , is an evening-length interactive media performance performed by two players with the the participation of audience members. Spectropia can also be presented as an interactive installation for two viewers at museums, festivals
Drive
1998
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2000
Drive is a video installation that combines traditional cinematic technology with new digital and military-based imaging systems. These include new tracking, identifying, and targeting technologies. Combining old and new, analog and network,
Habeas Corpus
2006
Habeas Corpus is a permanent large scale publicly sited immersive interactive installation composed of two parts. The first part is encountered on entering the subterranean area of the Allen and Overy building in the City of London. As the viewer
Kinetic Flow
2005
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2005
George Legrady's work consists of a series of vibrantly colored, 14' x 22' 6" porcelain enameled steel panels on the angled concrete wall above the staircase and escalator unit at the entrance to LA City College station. Algorithmically generated
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