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  • Featured "These 7000 Oaks Do not Exist". NFT/GAN animation criticizing the CO2 emission of highly computational media for Beuys' 100th Birthday.
  • In this essay, media researcher and developer Tiago Martins provides insight into the development process of the mixed-reality archive AR[t]chive during a large research project. The HoloLens based application enables users to explore archived
  • Event: 700IS - Best Film of the FestivalInstitution: 700ISComment:
  • Timo Kahlen's interactive work of net art /source/ (Postfactual), 2017 invites the viewer to search for reliable sources, for valid ‘facts’, for trusted nodes of information on the internet. A seemingly void, monochrome white surface is all it
  • Serexhe Bernhard. Preservation of Digital Art, Theory and Practice. ISBN 978-3-7091-1469-8, EU program INTERREG IV Oberrhein: Ambra V, Vienna, 2012.
  • Birds in the Hat (1968), presents an iconic example of an early plotter drawing, a printing technique that allowed for an ink pen to be guided by digital input. Executed using an IBM 7094 computer and a drum plotter, this work mathematically
  • This essay by former research assistant Isabella Iska at the Center for Image Science, is a tribute to the artist, scholar, professor and permanent driven inventor Charles Csuri (1922-2022), who began creating digital artworks in the 1960s. Today
  • Frieling, Rudolf and Dieter Daniels, ed. Medien Kunst Aktion: Die 60er und 70er Jahre in Deutschland. Wien, New York: Springer, 1997.
  • 1000 Platitudes -
    1000 PLATITUDES consists of large photomontages and one video documentary, which is shown on a plasma screen. Words commonly used to describe the generic globalized city; --each letter of the alphabet was projected on a different building using the
  • Arte Cubano Ediciones y Centro de Arte Contemporâneo Wilfredo Lam, ed. Decima Bienal de La Habana, Integración y Resistencia; catalog;. ISBN 959-7178-11-7, Sevilla, Spain: Escadón Impressores, 2009.