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  • Embodiments, visualizations, and immersion with enactive affective systems
    DOMINGUES, DIANA MARIA G and Cristiano MIOSSO and F Rosa and Carla Aguiar and Tiago Lucena and M Miranda and Adson Rocha and Ramesh RASKAR. Embodiments, visualizations, and immersion with enactive affective systems The Engineering Reality of
  • I am a Sensor
    Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
  • Medien Kunst Interaktion. Die 80er und 90er Jahre in Deutschland
    Daniels, Dieter and Rudolf Frieling. Medien Kunst Interaktion. Die 80er und 90er Jahre in Deutschland. Wien, New York: Springer, 2000.
  • Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren
    Reichle, Ingeborg. Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren Kritische Berichte 1 (2001): 23-33.
  • Featured Artist Diana Domingues
    Diana Domingues, a pioneering artist-engineer, scholar, and researcher from Brazil, has impacted and shaped the landscape of electronic art in Latin America. By bridging the realms of intangible culture and rituals within Latin American native
  • ADA_Feature_Diana_Domingues.pdf
    Diana DominguesThe Archive of Digital Art, 07/2023Text, Editing & Interview by Carla ZamoraShe has an immense and multifaceted body of work, revealing an enormous talentopening to multiple dimensions. (…) And in my opinion, the contents in
  • ADA_KONDITION_PLURIEL_FEATURE_270224.pdf
    KONDITION PLURIELThe Archive of Digital Art, 03/2024Text & Interview by Alejandro Quiñones Roa“Integrating body-based performance and digital arts, the artists generate alanguage outside of established disciplines, focusing as much on the
  • Featured Artist kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of
  • Radical Reordering: Bit-size Chunks in the Al Grano Project
    Badani, Pat. Radical Reordering: Bit-size Chunks in the Al Grano Project ISEA2015 Proceedings: Bio-Art Proceedings of the 21st International Symposium of Electronic Art, no. ISSN: 2451-8611 / ISBN: 978-1-910172-00-1 (August 2015).
  • Meisterwerke der Kunst - Medienkunst
    ZKM - Zentrum für Kunst und Medientechnologie Karlsruhe. Meisterwerke der Kunst - Medienkunst. ISBN 978-3-7883-9215-4, ZKM: ZKM, 2012.
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