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REFLEXION - In Sync/out Sync -
2019
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2019
REFLEXION - In Sync / Out of Sync - is a real-time light and sound installation consisting of electroluminescent (EL) wires and octophonic (8.2) sound. The main concept is based on research showing that our heartbeats can be synchronised by
LEIKHEN
2018
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2018
Inspired by the composite plant of lichen (from Greek: leikhen), which is the result of a hybrid partnership between a fungus and an alga. The installation is therefore a reflection upon the interaction and mutualistic relationship between two
MINDSCAPE
2016
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2019
MINDSCAPE is a metaphor of what we are becoming in this digital era. Like most people nowadays, the performer appears isolated and hooked up with a computer, his/her body connected to and surrounded by light wires, creating a distance between the
SKIN
2012
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2019
video
SKIN is an interactive installation, in which visitors have the opportunity to use a GSR (Galvanic Skin Response) interface, which measures their skin's moisture. The variations of these values are an indication of psychological or physiological
Seed/Tree
2005
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2007
video
... an OSC-route object in the MAX program; then, each value is used to trigger different sound effects in MAX/MSP. Excerpt from:
Robles
, C. 2011. Creating Interactive Multimedia Works with Bio-data. NIME 2011 Proceeding Books ISSN: 2220 – 4792 / 2220 – 4806...
SKIN - Performance
2014
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2019
SKIN is an interactive performance, in which the artist interacts with sounds and images using the GSR (Galvanic Skin Response) interface, which measures her skin's moisture in order to create the audiovisual environment. The variations of these
Reel
2017
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2017
video
...ReelArtist: Claudia
Robles
-AngelComment:
Là bas...
2014
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2016
...In Là-bas… (There…) the artist Claudia
Robles
-Angel provides an installation focussing on the transition from light to darkness, interweaving sound and silence. Là-bas… can hardly be consumed in an instant while passing by. Every visitor should consciously access and...
INsideOUT
2009
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2013
This performance is about the materialization of the performer’s thoughts and feelings on the stage. In the performance, imagination becomes spatial. The stage is a place for the appearance of the invisible. Yasu Ohashi says: “the actors aim at our
IGUAQUE
1997
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1997
1998 05:30 min, color, stereo sound. The Muisca legend tells us that Bachué (Mother of humanity) came from the water, from a lagoon called Iguaque and after giving birth to humanity, she returned there. ... The reverie produced by water and the
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