Archive Search

  • ... in publications that include Public Journal, the Routledge Companion to Biology in Art and Architecture, Technoetic Arts, Leonardo Journal, the Angewandte Book Series, DeGruyter, and Bio/Matter/Techno Synthetics, Actar Press.
  • ... colleagues to construct 3-dimensional models of the Refectory at Santa Maria Grazie to study the perspective construction of Leonardo’s Last Supper and, more recently, a finite element model of the Leaning Tower of Pisa to aid in the preservation of the...
  • Last Supper -
    ... powerful tool to understand the relationship between the real architecture of the refettorio and the painted architecture by Leonardo. Approaching the Ultima Cena you can visit the painting in its particulars and discover t he beau ty and the details of this...
  • Fidelio, 21. Century -
    ... the audience is asked to don special glasses. [...] The music, from the 1978 recording by the Vienna Philharmonic under Leonard Bernstein, pours out of 18 loudspeakers ranged around the auditorium. [...] What makes this electronic production unique...
  • Underscan - video
    ... abîme, where the portrayed make eye-contact with the viewer, – as found in works by Jan Van Eyck, Parmigianino, Velázquez or Leon Golub. Other references for this work include the post-photographic device described in La invención de Morel, written by Adolfo...
  • MELT -
    Melt is a kinetic surface designed to undergo distortions in function of the weight, position and actions of the visitors. Melt consists of 50 nautical aluminum polished plates, aligned with and connected to one-another by a system of linear
  • Imagine a 3 x 3 x 3 mirrored cube suspended 25 centimeters from the floor supported on a crosspiece in the center of a base having four springs, one on each corner. Two of its facets rotate on its central axle. One facet pivots and the other facet
  • FLOOR | PISO -
    FLOOR is an interactive interface designed to transfer data of strength and movement in the human-human relation and the human-space time relation. The mode of agencying the FlOOR interface is very simple: you step on one of the two ends of the
  • MIRROR | ESPELHO -
    Imagine an optical device with a sensory field of 8 meters to 60 centimeters. Fixed to the wall, this mirror is programmed to constantly measure and react to your distance from it. At 8 meters it will be convex, at 60 centimeters it will be concave
  • SOLAR -
    Imagine entering a machine, supplying the co-ordinates of a city and a specific moment in time and as a response you receive the direction, the intensity and the sensation of heat and light that the sun radiated in that time-space. Solar is a