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Interactive Video Kaleidoscope
1987
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1987
...A human sized real kaleidoscope creates colorized
feed
back patterns from faces. Exhibited at the Massachusetts Institute of Technology, and the SIGGRAPH 1988 Art Show in Atlanta.
PICO_SCAN
2000
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2000
video
... to her own body characteristics. The collected data information is then used to generate artificial life creatures that can
feed
on these color values provided by the users video image.
The Tables Turned
1997
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1997
video
... as the key-image on top of the camera image from the ZKM location as the fill-image. The final chroma-keyed images are then
feed
to each set of four monitors independently from the chroma-keyers in both locations. Eight draws around the edge of each table...
The Telegarden
1995
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1996
... as an environment to stage social interaction and community in virtual space. The Telegarden is a metaphor for the care and
feed
ing of the delicate social ecology of the net.'' -- Randall Packer, San Jose Museum of Art, April 1998. The...
Nano-Scape
2002
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2002
video
... properties, Nano-Scape tries to make this Nano-world intuitively accessible through touch. A wireless magnetic force-
feed
back interface allows users to touch invisible nano particles, creating an every changing invisible sculpture which modifies its...
Terrain 01
1994
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1994
... robots are formed into a group and activated as a whole, there is something to be found out. A human being is a part of the
feed
back loop in an artificial environment where uncontrollable elements (brain waves and robots in this case) are intentionally...
IKI-IKI Phone
2001
... In this sys- tem, subscribed users can create Artificial Life creatures (= IKI-IKI pets), interact with these pets,
feed
them, take care of them, and evolve them. Networked users can also share their pets with other mobile phones users, trade...
Eden
2000
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2000
... virtual space. For example, movement within the physical space affects creatures empathy towards each other. The biomass
feed
s off the movement of people within the space -an empty room corresponds to a barren environment. If there is nobody in the...
The Bush Soul (#3)
1999
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1999
...Third in a series of interactive art installations. A haptic, force-
feed
back joystick provides both navigation and tactile sensations, connecting one's physical body and virtual soul. Funded in part by Intel Research Council. (Rebecca Allen)
Coexistence
2001
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2001
... utilizing see-through head mounted displays and a unique sensory interface that integrates breathing sensors and haptic
feed
back. (Rebecca Allen)
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