Archive Search

... our existence as individuals becomes less and less dependent on our physical being. Our virtual identities become more powerful and flexible, but also unstable and difficult to define. Our consistent recognizable faces are left behind and all faces...

... evolution and manipulation. To push it further, the audience thus will become "creators" or "artists" themselves, using the power and possibilities of such tools. GENMA is not a tool in the scientific sense. Its only purpose is to reflect on itself as...

...The powerful social aspect of Sermon’s work is visualized in the site-specific installation A Body of Water (1999), created for the exhibition Connected Cities, which has an atmosphere that borders on the eerie. In a chroma-key room set up in Duisburg’s Wilhelm...

...A helium-inflated pig was specially made for the cover of Pink Floyd's Animals album. It was flown over the Battersea Power Station for the photograph, but accidentaly got free and flew many kilometers over London and landed in the countryside - which needless to say...

... used to articulate a psychological architecture - a hierarchical edifice that set out to identify the essential pathology of power and its inevitable predisposition to oppression and warfare.The form of this edifice was a stepped pyramid that carried the...

... simulated forms, from geometric crystalline structures to amorphous liquid shapes, captivating the senses in a unique, powerfully mesmerising experience."

... scenography. Nikola Tesla Nikola Tesla is credited with the invention of many world-changing technologies including AC power, radio and the tesla coil. However, it was other shrewd capitalists such as Thomas Edison, and George Westinghouse that reaped...

... art project which allowed thousands of people from 89 countries to control 18 robotic searchlights with 126,000 watts of power and link Cyberspace with Mexico’s most emblematic urban landscape. Mexico City’s historic centre was transformed by immense...

...In "Rambona" the artist transposes the subject of "woman as object of desire" (cover girl) into an image of power. Rambo becomes Rambona. Says the artist, "Duga, a popular magazine in Serbia, came out with a cover girl dressed in a combat suit. The girl, with silicon...

The installation included a custom-designed robotic painting machine, large hand-painted images, and several images painted with the robot. All images were from events surrounding the building of the Los Angeles Aqueduct between 1906-13.