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Burns, David R.. Borders, surveillance, and Control in the Digital Age In Soft Borders International Network Conference and Festival on New Media Art, Sao Paolo, Brazil: 2010.

Benayoun, Maurice. Le devenir de l´A.M.E., la réalité virtuelle comme écosystème pour
la création artistique In Design assisté par concepteur, actes colloque 01 Design, : Europia, 2010.

Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization
of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.

Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic
Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach
to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.

Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies
of William Forsythe In William Forsythe and the Practice of Choreography, edited by Steven SpierLondon, UK: Routledge Press, 2010.

The Maestro: A Conversation with William KentridgeAuthor: Anthony Haden-Guest

Marta de Menezes. Investigação em Arte NADA 15 (2010).

Grau, Oliver. Media Art & Digital Humanities Technology Imagination Future: Journal for Transdisciplinary Knowledge Design 4, no. 1 (2010): 1-22.