Archive Search

  • FILE - Electronic Language International Festival 2002 -
    In the FILE 2002 - electronic language international festival are exposed hundreds of interactive works. Most of them are online works, web art, net art, VRML, hypertexts, artificial intelligence, simulations and others. To see the 2002 works you can...
  • FILE - Electronic Language International Festival 2001
    Event: FILE - Electronic Language International Festival 2001Institution: FILE - Electronic Language International FestivalComment:
  • FILE - Electronic Language International Festival 2000
    Event: FILE - Electronic Language International Festival 2000Institution: FILE - Electronic Language International FestivalComment:
  • FILE - Electronic Language International Festival
  • FILE - Electronic Language Festival 2006
    Event: FILE - Electronic Language Festival 2006Institution: FILE - Electronic Language International FestivalComment:
  • FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)
    Event: FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)Institution: The Wrong BiennaleComment:
  • Fiktion und Virtualität
    Esposito, Elena. Fiktion und Virtualität In Medien, Computer, Realität, edited by Sybille Krämer, 269-296. Frankfurt/ Main: Suhrkamp, 1998.
  • Fiktion und Simulation I
    Kittler, Friedrich Adolf. Fiktion und Simulation I In Ars electronica: Philosophien der neuen Technologie, edited by Ars Electronica, 57-80. Berlin: 1989.
  • Figure -
    FIGURE is an interactive installation. Spectators are invited to take part in the formation process of the cinematic meaning. The interaction is based on the conversation between the moving body and cinematic elements. Spectators are photographed...
  • Figment
    Figment offers an experience of the digital sublime, which overlaps with our perception of the digital, landscape, our relationship with each, and the fundamental questions that follow, peering into the nature of our existence. In Figment, rendered...
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