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Four Steps to Rome (EP) 2006 - 2006

Four Steps to Rome (EP)Artist: German GomezComment:
Digital Synesthesia at ISEA 2016 22nd International Symposium on Electronic Art 2016 - 2016

In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen
Diver: a cyber-kinesthetic installation 2016

Kusch, Martin and Marie-Claude Poulin. Diver: a cyber-kinesthetic installation In Digital Synesthesia - A Model for the Aesthetics of Digital Art, edited by Katharina Gsöllpointner and Ruth Schnell and Romana Schuler, 114-117. Berlin: De
Small Worlds: A Romance 2003 - 2003

An exploration of the relationship between the real and the virtual, new media and other artistic traditions. The artworks presented will explore sound, image and interactivity using a range of digital media, including 3D modelling, digital audio
‘EVIL WEB BUSINESSES, ROMANCE SCAMS AND PHONE FRAUD. 3 ARTISTIC CASE STUDIES DECONSTRUCTING SCAMMERS ONLINE IDENTITIES 2017

Kronman, Linda and Andreas Zingerle. ‘EVIL WEB BUSINESSES, ROMANCE SCAMS AND PHONE FRAUD. 3 ARTISTIC CASE STUDIES DECONSTRUCTING SCAMMERS ONLINE IDENTITIES (2017).
THE PRIX DE ROME IN ARCHITECTURE: A RETROSPECTIVE with images and drawings by Philip Beesley 2006

Polo, Marco, ed. THE PRIX DE ROME IN ARCHITECTURE: A RETROSPECTIVE with images and drawings by Philip Beesley. Toronto: Coach house Books, 2006.
ARCHITETTURA DI MOSTRA. 9 progetti per lo spazio espositivo della galleria A.A.M. 1996

Alessi, Alberto and Francesco Moschini, ed. ARCHITETTURA DI MOSTRA. 9 progetti per lo spazio espositivo della galleria A.A.M.. Rome: A.A.M. Architettura Arte Moderna, 1996.
Peristrephic Pleasures, or the Origins of the Moving Panorama 2004

Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.
Vera Plastica 2024 - 2024

"Vera Plastica" is a generative augmented reality (AR) installation inspired by Vera Molnar's generative grid compositions, in which she uses algorithms to determine random variations in the geometry and color of a thematic form, which progress in
European Media Art Festival 1997 1997

For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.

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