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  • B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en
    Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Vol.1. -, - th
  • B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en
    Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Vol.1. -, - th
  • Intérieur video
    One of the first dance and media performances designed for a fulldome virtual reality environment. An immersive visual and sound environment, paired with epicurean pleasures and the contemplation of a dance performance. Architectural skies and
  • Abandoned
    Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent,
  • passage video
    Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
  • Jussi Parikka
    Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is
  • the puppet(s) video
    Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment.
  • Myriorama video
    Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • recombinant - the techn(o)rganic body video
    Performers interact with images and sounds and manipulate four mobile projection surfaces, orchestrating a set of changing architectural constructions. Spectators circulate freely like visitors to an installation, accessing multiple points of view
  • entre-deux video
    Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive
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