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Patrícia Gouveia
Patrícia Gouveia is an artist, designer, scholar, and curator with more than twenty years of research experience in arts, design, gaming, and interaction. She has been working in Interactive Arts and Design since the 1990s. Her research focuses on
Arte en la Era Electrónica. Perspectivas de una Nueva Estética
1997
Giannetti, Claudia and Peter Weibel and Lynn Hershman and Siegfried Zielinski, ed. Arte en la Era Electrónica. Perspectivas de una Nueva Estética. Barcelona, Spain: ACC ' Angelot / Goethe-Institut, 1997.
Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.
2005
GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial pontifícia Universidad Javeriana, 2005.
Télénoïa
1995
Ascott, Roy. Télénoïa In Esthétique des arts médiatiques, edited by L. Poissant, 363-384. Quebec, CAN: Presses de l'Université du Québec, 1995.
Esthétique des arts médiatiques: Interfaces et Sensorialité
2003
Poissant, Louise, ed. Esthétique des arts médiatiques: Interfaces et Sensorialité. Saint-Etienne: Publications de l´Université de Saint-Etienne, 2003.
Typologie des interfaces artistiques
2003
Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.
Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.
2005
GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial Pontifícia Universidad Javeriana, 2005.
Frank Schubert
After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
Bradford W. Paley
W. Bradford Paley uses computers to create visual displays with the goal of making readable, clear, and engaging expressions of complex data. His visual representations are inspired by the calm, richly layered information in natural scenes. His
Cybernétique et Oeuvre d´Art
1965
Moles, Abraham André. Cybernétique et Oeuvre d´Art Revue d´Esthétique 18 (1965): 163-182.
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