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  • Quasar 2.0: Star Incubator -
    Quasar 2.0: Star Incubator (Q2:SI) is an immersive interactive light and sound installation. Providing a spatial reflection of renewing and evolving life-cycles, the Q2:SI body is conceived of an array of structural prototype elements, electronic
  • Dengue na imprensa local: uma doença em notícia
    VELHO, ANA PAULA MACHADO and Diana Domingues and TIAGO FRANKLIN R LUCENA. Dengue na imprensa local: uma doença em notícia Verso e Reverso (Unisinos Online) 30 (2016): 1-9.
  • Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen
    Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.
  • Pey-Chwen Lin, “Revelation ．Notification – Research Solo Exhibition by Lin Pey-Chwen
    Pey-Chwen Lin. Pey-Chwen Lin, “Revelation ．Notification – Research Solo Exhibition by Lin Pey-Chwen “Revelation ．Notification – Research Solo Exhibition by Lin Pey-Chwen (2016).
  • Making of Eve Clone I - video
    In the video Making of Eve Clone I, I looked back and represented the process of me creating Eve Clone and the evolution of her body in each period. From the original drafting of Eve Clone, which recorded my inspiration of drawings, to using
  • MOON Martina Zelenika
    The interdisciplinary artist MOON a.k.a. Martina Zelenika is visionary artist with a unique artistic expression. Artsist MOON combines the must up-to-date digital technology along with an analogue one to embody spiritual dimension of cosmology and
  • Revelation - Notification -
    Event: Revelation - NotificationInstitution: National Tsing Hua University Arts CenterComment:
  • 2015 “Revelation ‧Notification –Solo Exhibition by Lin Pey-Chwen”, National Tsing Hua University Arts Center, Hsinchu, Taiwan -
    2015 “Revelation ‧Notification –Solo Exhibition by Lin Pey-Chwen”, National Tsing Hua University Arts Center, Hsinchu, Taiwan
  • Euopean Media Art Festival 1992
    In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
  • Paul Friedlander
    In 1993, I was asked to do my first large commission for British Telecom at their HQ in the City of London. I was also invited to exhibit at Images du Futur in Montreal, where despite being a previously unknown, I was given the largest single
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