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Private Views - the Role of the Viewer in Networked Digital Models of Narration 2000

Zapp, Andrea. Private Views - the Role of the Viewer in Networked Digital Models of Narration In De la Pantalla al Arte Transgénico, edited by Jorge La Ferla, 186-192. Buenos Aires: Libros Del Rojas, Universidad Buenos Aires, 2000.
Sur la notion d`art en tant que dialogue visuel 1992

Kac, Eduardo. Sur la notion d`art en tant que dialogue visuel In Art-Reseaux, edited by Karen O'Rourke, 20-23. Paris: Centres d`Etudes et de Recherches en Arts Plastique, Université de Paris I, Panthéon-Sorbonne, 1992.
To be here and there: General Relativity and Quantum Physics 2010

Kisseleva, Olga. To be here and there: General Relativity and Quantum Physics In PLASTK Art and Science 1, Université Paris 1, Panthéon-Sorbonne, edited by Olga KisselevaParis: Université de Paris I, Panthéon-Sorbonne, 2010.
Art et biodiversité : un art durable ? PLASTK Art&Science #4 2014

Kisseleva Olga, ed. Art et biodiversité : un art durable ? PLASTK Art&Science #4. Paris, France: Pantheon-Sorbonne University, 2014.
Nano PLASTK Art&Science #3 2013

Kisseleva Olga, ed. Nano PLASTK Art&Science #3. Paris, France: Pantheon-Sorbonne University, 2013.
Videoculturas, y ciber-culturas: profanando la pantalla, nuestra mente y nuestros cuerpos 1997

Cilleruelo, Lourdes. Videoculturas, y ciber-culturas: profanando la pantalla, nuestra mente y nuestros cuerpos In Lo Tecnológico en el arte: de la cultura vídeo a la cultura ciborg, edited by ., 29. Barcelona: Editorial Virus, 1997.
Le Sujet Digital 2015: Codes. 2015 - 2015

Event: Le Sujet Digital 2015: Codes.Institution: Université de Paris I / Panthéon-SorbonneComment:
IN-OUT, la recherche au Citu 2008

Event: IN-OUT, la recherche au CituInstitution: Pantheon-Sorbonne University Comment:
Université de Paris I / Panthéon-Sorbonne
Smart Pantheon RGB 2022

2022, interactive online video for mobile devices with touch-screen (runs in web browser; best suited for iPhones and iPads) In her interactive video work Smart Pantheon RGB, Myriam Thyes addresses the almost religious devotion we give to our

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